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Tom Marcello – XRIJF 2012Tags: humor
Such a versatile instrument
You’ve probably already seen this; it’s been doing the rounds at lightning speed. But, if not…
Read More →What Happens Backstage Stays Backstage
Well, except for the parts I’m going to tell you! No names of course. LOL. Seriously, performers have to be able to trust orchestra librarians to handle backstage situations with professionalism, courtesy, discretion, and, above all else, help when they need something. It wouldn’t be right to betray that trust, so I won’t — the
Read More →This actually might work for Bach
I’m thinking last movement of the C major sonata, not the Chaconne, of course. (Hat tip to BBB Charles Noble):
Read More →Nerds? You Betcha!
When I wrote the following on “From the Orchestra Library” I didn’t realize Robert had posted the video of a young accordion virtuoso playing the last movement of Tchaikovsky’s Violin Concerto back in September. So, here’s a little view into orchestra librarians’ minds when they see such a thing:
Read More →What Opera Needs is More Drums
No explanation needed. Forgive me, but I’m just the messenger. And he’s got more of these. . . .
Read More →GUEST BLOGGER Yvonne Caruthers–Slatkin's response
Leonard Slatkin responded via email (see yesterday’s blogpost) to my request for information about the article on his website. I have excerpted his comments: “The article was written the day after the Met[‘s recent production of] Tosca was trashed. How come opera directors can get away with mangling the instructions from a composer, but the
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