Half of the fun of watching Mad Men is observing how dramatically American society has changed since the 1960’s. The characters’ constant drinking and homophobia make us blush, and we notice how far attitudes have shifted towards everything from smoking to sexism. Our lives in America have changed so thoroughly since then that looking back
Read More →Go out to hear an orchestra concert tonight and chances are the orchestra will be playing Beethoven. The most recent Orchestra Repertoire Report, from ’09 – ’10, details that 137 orchestras in America performed Beethoven’s music 457 times that season. His ninth, seventh, and fifth symphonies were ranked first, second and third respectively among the
Read More →This article by Michael Drapkin was first published in October of 2011. In it, Michael describes a different orchestra financial model–how the financial stakeholders of an orchestra i.e., the musicians, staff, conductors could share in the economic success or failure of their orchestra. There is definite risk/reward here, if instituted by an orchestra it would
Read More →History is filled with people who have tried to define art. They have all been wrong, and there is no reason to suspect we are any better at it than they were. Changes to what experts call “Art” happen all the time. There was a time when people questioned whether photography constituted fine art. Some
Read More →This is a pretty amazing story: For four years, the Minnesota Orchestra board has walked a tightrope between managing public perceptions about its financial health and making its case to cut musicians’ salaries. As early as 2009, board officers were discussing how much money to draw from investments, and the advantage of reporting balanced budgets
Read More →In the American system, the arts are funded mostly through indirect subsidies. Our government’s tax policies toward charitable giving elicit billions of dollars in contributions annually. The beauty of this system is that it not only allows the citizens to determine which not-for-profits benefit a civil society, but also it does not require the government
Read More →It’s been a bad week for the management of the Minnesota Orchestra, and this very public letter from their Music Director was was likely the cherry on the cake: Dear Members of the Minnesota Orchestra Board and the Musicians of the Orchestra: In the last few years, the Minnesota Orchestra has truly established itself as
Read More →The musicians of the locked-out Minnesota Orchestra and the locked-out Saint Paul Chamber Orchestra got some helpful press today from Minnesota Public Radio: Locked-out musicians at the Minnesota and St. Paul Chamber Orchestras have been warning of a dangerous decline in artistic quality if they accept new contracts sought by management. They say the severe
Read More →A recent missed opportunity for orchestras in New York City came in late October in the form of Comic Con. The New York Comic Con is an annual New York City fan convention dedicated to comics, graphic novels, anime, manga, video games, toys, movies, and television. Comic Con is an event that brings more than 100,000 people
Read More →There’s a very interesting story going around the Twin Cities, but this one’s about baseball. Apparently the management of the Minnesota Twins has decided that they need a retractable roof after all, for about a $100 million price tag. The chances of public funding are essentially zero, so the management is planning to reduce player
Read More →Minnesotans are known for being averse to conflict, generous to arts and educational groups of all kinds, and generally plain-spoken (unless, of course, such speaking would lead to conflict). So, on top of the ongoing Minnesota Orchestra lock-out, this comes as a shock, even if not a surprise: The Twin Cities’ distinctive status in the
Read More →Although the guts of the Minnesota proposal (and the damage done by it) lie in the economics, there is plenty of other stuff not to like as well. In particular, there are loads of changes proposed to work rules; far more than one would expect in a normal negotiation, much less one in which the
Read More →In an act of remarkable generosity, Drew McManus not only obtained the actual proposal made to the Minnesota Orchestra by management but posted it on his Adaptistration website. I know he’s planning on some analysis, but it was too tempting a document for me to resist reading and writing about any longer. So here are
Read More →ICSOM Chair Bruce Ridge has joined the ranks of those writing about the underlying causes of the current situation in our industry, although of course he is hardly new to the party, having written extensively about the problems in the orchestra business for Senza Sordino over the years. It’s an interesting piece in many respects;
Read More →It seems inherent in human nature to look for someone to blame when bad things happen. Bad things have been happening in our field of late (or at least to a higher-than-usual number of orchestras), so those on the receiving end – who are mostly, although not exclusively, musicians – look for an enemy who
Read More →Think “orchestral institutions” as “artists” in this article and some interesting questions emerge: Are we finally entering the age of the digital cultural entrepreneur (DCE)? That is, has it now become possible for a gifted artist or writer to control the reins of his or her career from a laptop, scheduling gigs, selling books or
Read More →The Los Angeles Philharmonic has pulled the plug on its attempt to emulate the Metropolitan Opera’s successful series of live broadcasts to movie theaters: When the Los Angeles Philharmonic launched its series of live broadcasts to cinemas in 2011, the organization touted it as an innovative program intended to broaden the popular reach of the
Read More →This letter appeared in Saturday’s Minneapolis StarTribune: As former music directors of the Minnesota Orchestra, we came to the state because we believe that it wants and deserves to have a world-class orchestra. We are proud of the cultural gem we have built, with the musicians, for more than half a century. It required long
Read More →This article by Peter Dobrin of the Philadelphia Inquirer is the best reporting on the current crisis yet to appear. Go read the whole thing: …What someone is willing to pay for orchestral musicians in this country has changed radically in recent weeks. Yes, a brief strike last month by the Chicago Symphony Orchestra resulted
Read More →The musicians of the Atlanta Symphony voted to ratify a tentative settlement that was pretty much what ASO management (or perhaps the Woodruff Center) wanted all along: Symphony Orchestra accepted a new collective bargaining agreement Wednesday, barely averting a postponement of the fall season. The deal will cost players $5.2 million in compensation over two
Read More →[Nick Kitchen is the founding first violinist of the Borromeo Quartet, ensemble in residence at NEC. In addition to receiving the Artist Diploma from NEC, the quartet has gone on to win the 2007 Avery Fisher Career Grant, Lincoln Center's … Continue reading →![]()