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Tom Marcello – XRIJF 2012Category: Electronic media
Stravinsky’s Rite of Spring at 100
2013 is the 100th anniversary of the premiere of Stravinsky’s Rite of Spring, and 2013 will see more than 270 performances of this iconic work of the early 20th century. Donald Rosenberg, long-time music critic and reporter for the Cleveland Plain Dealer, has written a fascinating article about the Rite in this month’s Symphony magazine.
Read More →Gold in them thar toobs?
Think “orchestral institutions” as “artists” in this article and some interesting questions emerge: Are we finally entering the age of the digital cultural entrepreneur (DCE)? That is, has it now become possible for a gifted artist or writer to control the reins of his or her career from a laptop, scheduling gigs, selling books or
Read More →Didn’t work
The Los Angeles Philharmonic has pulled the plug on its attempt to emulate the Metropolitan Opera’s successful series of live broadcasts to movie theaters: When the Los Angeles Philharmonic launched its series of live broadcasts to cinemas in 2011, the organization touted it as an innovative program intended to broaden the popular reach of the
Read More →How to Miss the Titanic
[This is the second in a series of posts in which I will talk about the current, troubled, state of professional musicmaking and offer some glimpses of possible solutions for the future.] The first time I heard the London Symphony … Continue reading →
No settlement in Detroit
There’s a management offer on the table, and a management-dictated deadline to accept it or the else, but there’s no agreement between the negotiating teams: Detroit Symphony Orchestra management made what it calls a final offer to musicians tonight, requesting an up-or-down vote on the contract proposal by 5 p.m. Thursday. The move — which
Read More →And they could sell tickets to staff meetings!
Labor law bars managements from implementing the governance solution outlined by Bertold Brecht: After the uprising of the 17th June The Secretary of the Writers Union Had leaflets distributed in the Stalinallee Stating that the people Had forfeited the confidence of the government And could win it back only By redoubled efforts. Would it not
Read More →AFM wins in court; won't matter much
The AFM (or at least its lawyers) had a good win in labor law land the other day: The AFM has won a significant victory affecting orchestra media negotiations. The AFM has consistently taken the position that orchestra managements who are signatory to AFM media agreements (such as the Symphony, Opera or Ballet Audio Visual
Read More →CSO Live (not sure about the conductor, though)
In honor of yesterday’s inaugural broadcast to movie theaters of “LA Phil Live,” here’s what cutting-edge media technology looked like 50 years ago. I love the downbeat to the third bar.
Read More →The kid stays on the podium
There’s something about conducting this kid really gets, although he really should have turned the last page of the score before he thought the piece was over: Wouldn’t it be nice if more kids this age thought Beethoven was this much fun? And why don’t they, anyway? I wonder what would happen if kids treated
Read More →The times they are a'changin…
I went to my local Borders today to kill some time while a prescription was filled. It’s a bi-level store, but I hadn’t gone downstairs since last year this time, as it was mostly CDs and it’s been a long time since I could count on finding something I wanted to listen to on a
Read More →Another take on Met HD
After having written about the LA Phil’s upcoming experiment with broadcasting live to movie theaters and comparing it to the Met HD project, I was interested to come across another take on the whole concept from a Canadian professor of management: Recently I attended my first Live in HD broadcast of the Metropolitan Opera’s das
Read More →Opening Up The Flood Gates
This week I wrote a transcription of Saint-Saëns’ “The Swan” for tenor saxophone and piano. After finishing the piece, I turned to YouTube to listen to various interpretations of the work. I listened to a few cello & piano versions and then moved on to a couple of solo piano recordings, including one of Rachmaninoff
Read More →Orchestra Taps an Unlikely Revenue Stream
It’s a beer bottle orchestra, and it’s not a bad idea on lots of levels: It humanizes the orchestra, makes the players seem “normal,” gives the orchestra some media exposure and hopefully brings in some money to the coffers. Doesn’t about every mid-size city and larger have a favorite local beer? Note to orchestra marketing
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Improving Parts (and Scores) for Orchestral Musicians
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Improving Parts (and Scores) for Orchestral Musicians
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