Concert programmers, teaching artists , armies of program annotators, and museums with their rental headsets believe that audiences today lack experience and confidence in approaching an art work.
Read More →My top priority — of course — is to protect the young people who study here, our faculty and staff, and all the many thousands of concert visitors we have every year. But this mandate necessitates negotiating a way through a challenging Scylla and Charybdis of choices.
Read More →After digesting the many superb responses, both published here and private, to last week’s blog entry, I spent a lot of time pondering what is really bothering me about the arts entrepreneurship “movement.” I realized that I have been hoping for …
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