Polyphonic.org was founded in April of 2006, making this month our 7th birthday! We thought that a fun way to celebrate would be to interview our editors and give you a peek into the lives of the folks that curate the content here at Polyphonic.org. Enjoy! Dr. Ramon Ricker – Editor-in-Chief How long have you
Read More →This terrible week will stay in our memories. It is with us now. Unresolved. A scream like the mighty dissonance of that Mahlerian scream in his 10th Symphony. But we will conquer its summit and plumb its depths.
Read More →Jerry Elias, former violinist with the Boston and Utah Symphonies and author of four murder mysteries with a blind violin pedagogue as the protagonist, has agreed to be an occasional blogger for Polyphonic. In addition to writing mysteries Jerry has much to say about classical music, performance practise, playing violin, and much more. His fourth
Read More →Concert programmers, teaching artists , armies of program annotators, and museums with their rental headsets believe that audiences today lack experience and confidence in approaching an art work.
Read More →My top priority — of course — is to protect the young people who study here, our faculty and staff, and all the many thousands of concert visitors we have every year. But this mandate necessitates negotiating a way through a challenging Scylla and Charybdis of choices.
Read More →Polly Kahn, Vice President for Learning and Leadership Development at the League of American Orchestras, asked Polyphonic to post information about the upcoming February 1st deadline for applications for their prestigious Orchestra Management Fellowship program. The Orchestra Management Fellowship program is the League’s premier leadership training program, and is designed to launch executive careers in
Read More →Question: What have you learned in the past few years about about obtaining sustainable funding? In this monthly blog, I’ll start with a question, and take on issues of leadership and relevance in advancing the cause of music and social change. I’d like to start with an example I’m very familiar with – the model
Read More →I received an email on Friday from the Boston Youth Symphony Orchestra (formerly known as GBYSO) announcing a partnership with the Boston Symphony Orchestra. Saturday, September 22, was opening night at the BSO, and their Chairman, Ted Kelly, formally announced the partnership during the gala season opening night dinner. And BYSO cellists joined BSO cellists,
Read More →The Baltimore Symphony under Marin Alsop has really been trying to change things up in the orchestra world. A couple of years ago I wrote about plans for an orchestra fantasy camp, (my words) for adults, and how the amateur musicians would be working with the pros of the orchestra. Apparently it has been a
Read More →Here are 10 of the most influential books I read in 2011. This year, my reading list focused around the topics of institutional change, education, leadership, business models, and marketing. Notice that not one of the titles on this year’s list is wr…
Read More →If you had a chance to follow our team of On Campus video bloggers (vloggers for short) this past year, you know how interesting their stories have been. 12 young musicians throughout the country recorded a short video entry every two weeks for an entire year, chronicling their life and career as a young musician.
Read More →Here we are again, at the beginning of a new school year full of promise. Within a matter of weeks or days, urgent deadlines will start to emerge with ever increasing frequency. So before that inevitable, relentless chaos takes over life, I challenge y…
Read More →[On June 2, NEC celebrated the graduation of our second class of Abreu Fellows, the training program we undertook as the result of Maestro José Antonio Abreu’s TED “Wish to Change the World.” The Fellows now go out into the … Continue reading →![]()
As part of a May 21, 2011 Facebook event hosted by the National Conference on Keyboard Pedagogy, I invited music teachers to submit their websites for observation and critique. Thanks to all who participated.
No matter what kind of art you make, I …
Attention music teachers!!!
On Saturday, May 21 2011, I am hosting a Facebook event sponsored by the National Conference on Keyboard Pedagogy (NCKP), focusing on issues relevant to private music teachers. Please feel free to join in on the conversati…
[This is the first in a series of posts in which I will talk about the current, troubled, state of professional musicmaking and offer some glimpses of possible solutions for the future.] The other night I attended one of the … Continue reading →![]()
Back in January, I posted a blog about Musical America’s exciting new partnership with Edna Landau – “Ask Edna.” Since starting her new blog, Edna has addressed some excellent career-related questions by young musicians, and she has provided some insightful guidance and ideas to consider. Recently, I figured I would throw a question into the
Read More →After digesting the many superb responses, both published here and private, to last week’s blog entry, I spent a lot of time pondering what is really bothering me about the arts entrepreneurship “movement.” I realized that I have been hoping for …
Read More →Who should I ask? Often times we have questions about our career path, life, relationships, etc. Sometimes we seek out those close to us whom we respect to give us advice, other times we just keep our questions to ourselves, and sometimes we seek out someone we don’t actually know to ask for their expertise.
Read More →Well let’s start with what isn’t a secret: Many orchestras are trying to reach out to future audiences (young people) and convince them that an orchestra concert should be on their shortlist of exciting weekend activities. An increasing number of orchestras (and other concert music organizations) are creating programs and concerts specifically catered to younger
Read More →In a recent article in the New York Times, Daniel J. Wakin points to the seemingly large number of orchestral positions that are currently open at some of the nation’s top orchestras. Of course we could debate all day about whether or not 12 openings in the NY Phil is remarkable, if they will be
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