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Category: Recording Industry

Some revisionist history from the AFM

0 Robert Levine

An article in the August 2014 International Musician got me thinking about Electronic Media Guarantees and their history: …[former ICSOM chairman Brad] Buckley recalled that the earliest instance of what was then called a “recording guarantee” came into existence decades ago with the Philadelphia Orchestra, during the tenure of Music Director Eugene Ormandy. The maestro

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Gold in them thar toobs?

0 Robert Levine

Think “orchestral institutions” as “artists” in this article and some interesting questions emerge: Are we finally entering the age of the digital cultural entrepreneur (DCE)? That is, has it now become possible for a gifted artist or writer to control the reins of his or her career from a laptop, scheduling gigs, selling books or

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Didn’t work

0 Robert Levine

The Los Angeles Philharmonic has pulled the plug on its attempt to emulate the Metropolitan Opera’s successful series of live broadcasts to movie theaters: When the Los Angeles Philharmonic launched its series of live broadcasts to cinemas in 2011, the organization touted it as an innovative program intended to broaden the popular reach of the

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