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Category: Live Music

Millennial America

0 Peter Sachon

Orchestras need to offer compelling reasons for millennials to make live symphonic music a part of their lives.  After all, millennials are the largest generation in human history, and at nearly 90 million people they will very soon make up the vast majority of our orchestras’ stakeholders, constituents, audience, staff members and supporters – and

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Well… I Won’t Be Welcome There

0 Tony Woodcock

It has been said that though the "educational" kids’ concert is merely a symptom of the general malaise in programming and concert presentation in the main orchestral season. It seems to be down to asking what audience and audience development do we want?

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Breaking Up with Beethoven

0 Peter Sachon

Go out to hear an orchestra concert tonight and chances are the orchestra will be playing Beethoven.  The most recent Orchestra Repertoire Report, from ’09 – ’10, details that 137 orchestras in America performed Beethoven’s music 457 times that season.  His ninth, seventh, and fifth symphonies were ranked first, second and third respectively among the

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The Riot Stuff

0 Peter Sachon

  Orchestras should raise their voices to be heard amid the din of noisy modern culture and promote themselves as socially conscious public institutions. They need to embrace a more inclusive posture in society, and demonstrate an identity more nuanced than silent anonymous conservative tuxedo-clad white male.  While the price of participating in American culture

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I really should have practiced harder

0 Robert Levine

Although maybe it’s the hair? Keira Knightley is working with violist/conductor Yuri Bashmet as a narrator: Keira Knightley and Yuri Bashmet again on one stage! When, in 2010 at the Winter Arts Festival in Sochi after the second intervention with Maestro Bashmet, Keira Knightley asked – not whether he is now developing the genre and

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Guest Bloggers: Quartetutopia by Nicholas Kitchen

0 Tony Woodcock

[Nick Kitchen is the founding first violinist of the Borromeo Quartet, ensemble in residence at NEC. In addition to receiving the Artist Diploma from NEC, the quartet has gone on to win the 2007 Avery Fisher Career Grant, Lincoln Center's … Continue reading

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