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Symphony Magazine, Spring 2013 Issue
The spring issue of Symphony magazine is now available online. As usual, the magazine contains a variety of interesting articles. Chester Lane, Senior Editor at Symphony magazine, presents a fascinating article about the health and wellness programs springing up in orchestras. Many of these programs have been funded by the Ann and Gordon Getty Foundation
Read More →Sir Colin Davis Remembered
Due to the tumult of the bombing at the Boston Marathon, the world all but overlooked the passing of Sir Colin Davis, one of the great conductors of the 20thcentury, who died at age 85 one day before that terrible event took place. To list his resumé as the music director and guest conductor of
Read More →Happy Birthday Polyphonic!
Polyphonic.org was founded in April of 2006, making this month our 7th birthday! We thought that a fun way to celebrate would be to interview our editors and give you a peek into the lives of the folks that curate the content here at Polyphonic.org. Enjoy! Dr. Ramon Ricker – Editor-in-Chief How long have you
Read More →Bartok’s Concerto for Orchestra and Musical DNA
Roland Tapley, Alfred Krips, Harry Dickson, George Zazofsky, Clarence Knudsen, Laszlo Nagy, Eugene Lehner, George Humphrey, Misha Nieland, Henry Portnoi, John Barwicki, James Pappoutsakis, Pasquale Cardillo, Bernard Zighera, Charlie Smith. What do these 15 men have in common? They were all musicians in the Boston Symphony who, with some 80 of their colleagues, performed the
Read More →Protect Your Hearing
Mary Plaine, Principal Librarian with the Baltimore Symphony, recently posted a New York Times article by Jane Brody on Orchestra-L, ICSOM’s list-serve, about what causes hearing lost. (Thank you, Mary!) The article cites a new book by Katherine Bouton, “Shouting Won’t Help: Why I — and 50 Million Other Americans — Can’t Hear You.” According
Read More →Getting to Know Maestro Yannick Nézet-Séguin
Yannick Nézet-Séguin, the new Music Director of the Philadelphia Orchestra who lives in Montreal, has been garnering lots of positive press, especially after his triumphant debut with the orchestra at Carnegie Hall on October 23 performing Verdi’s Requiem. He held the silence at the conclusion of the work for many, many seconds – so many that
Read More →In memoriam 2012
The more-or-less annual tribute from Polyphonic.org to our colleagues who left us in 2012 is finally online; my apologies to those who were waiting for it and no doubt lost patience many weeks ago. I knew a distressing number of those on this list. Some I knew just in passing (Mark Flint, Geoffrey Fushi, Bob
Read More →Breaking Up with Beethoven
Go out to hear an orchestra concert tonight and chances are the orchestra will be playing Beethoven. The most recent Orchestra Repertoire Report, from ’09 – ’10, details that 137 orchestras in America performed Beethoven’s music 457 times that season. His ninth, seventh, and fifth symphonies were ranked first, second and third respectively among the
Read More →A Violinist’s Voyage
Local 802 has again published a fascinating interview of one of its older members by a younger colleague in their monthly magazine, Allegro. Kuan Cheng Lu, who joined the orchestra in 2004, interviewed Newton Mansfield, who joined the orchestra in 1961.
Read More →Orchestra Management Fellowship Program
Polly Kahn, Vice President for Learning and Leadership Development at the League of American Orchestras, asked Polyphonic to post information about the upcoming February 1st deadline for applications for their prestigious Orchestra Management Fellowship program. The Orchestra Management Fellowship program is the League’s premier leadership training program, and is designed to launch executive careers in
Read More →The Riot Stuff
Orchestras should raise their voices to be heard amid the din of noisy modern culture and promote themselves as socially conscious public institutions. They need to embrace a more inclusive posture in society, and demonstrate an identity more nuanced than silent anonymous conservative tuxedo-clad white male. While the price of participating in American culture
Read More →Beyond Prestige
In the American system, the arts are funded mostly through indirect subsidies. Our government’s tax policies toward charitable giving elicit billions of dollars in contributions annually. The beauty of this system is that it not only allows the citizens to determine which not-for-profits benefit a civil society, but also it does not require the government
Read More →An assumption too far
A friend in the Twin Cities suggested to me that my assumption that Pinchas Zukerman and Edo de Waart had somehow requested and/or received clearance from their personal managers before agreeing to participate in the benefit concerts I wrote about here was not only unwarranted but likely offensive to the two gentlemen in question. After
Read More →Managements not part of the reality-based community
The musicians of the locked-out Minnesota Orchestra and the locked-out Saint Paul Chamber Orchestra got some helpful press today from Minnesota Public Radio: Locked-out musicians at the Minnesota and St. Paul Chamber Orchestras have been warning of a dangerous decline in artistic quality if they accept new contracts sought by management. They say the severe
Read More →I really should have practiced harder
Although maybe it’s the hair? Keira Knightley is working with violist/conductor Yuri Bashmet as a narrator: Keira Knightley and Yuri Bashmet again on one stage! When, in 2010 at the Winter Arts Festival in Sochi after the second intervention with Maestro Bashmet, Keira Knightley asked – not whether he is now developing the genre and
Read More →Minnesota by the numbers
In an act of remarkable generosity, Drew McManus not only obtained the actual proposal made to the Minnesota Orchestra by management but posted it on his Adaptistration website. I know he’s planning on some analysis, but it was too tempting a document for me to resist reading and writing about any longer. So here are
Read More →Gold in them thar toobs?
Think “orchestral institutions” as “artists” in this article and some interesting questions emerge: Are we finally entering the age of the digital cultural entrepreneur (DCE)? That is, has it now become possible for a gifted artist or writer to control the reins of his or her career from a laptop, scheduling gigs, selling books or
Read More →Didn’t work
The Los Angeles Philharmonic has pulled the plug on its attempt to emulate the Metropolitan Opera’s successful series of live broadcasts to movie theaters: When the Los Angeles Philharmonic launched its series of live broadcasts to cinemas in 2011, the organization touted it as an innovative program intended to broaden the popular reach of the
Read More →Peter Dobrin says it all
This article by Peter Dobrin of the Philadelphia Inquirer is the best reporting on the current crisis yet to appear. Go read the whole thing: …What someone is willing to pay for orchestral musicians in this country has changed radically in recent weeks. Yes, a brief strike last month by the Chicago Symphony Orchestra resulted
Read More →What Musicians Can Teach Doctors
I attended a meeting of the Hartford Medical Society last week to hear a presentation by Dr. Lisa Wong, a pediatrician who plays violin with the Longwood Symphony in Boston – the doctor’s orchestra. She’s written a book, Scales to Scalpels, about the orchestra and the role of music in medicine. As I was chatting
Read More →A bad settlement in Atlanta
The musicians of the Atlanta Symphony voted to ratify a tentative settlement that was pretty much what ASO management (or perhaps the Woodruff Center) wanted all along: Symphony Orchestra accepted a new collective bargaining agreement Wednesday, barely averting a postponement of the fall season. The deal will cost players $5.2 million in compensation over two
Read More →When’s it OK to ask musicians to work for free?
For sure it’s not when the person asking has raised $1.2 million for her new album but doesn’t want to pay back-up musicians on the road. Fortunately for all concerned, she (very grudgingly) changed her mind after considerable public outcry. Many AFM locals had a prohibition in their bylaws about members working for free, at
Read More →That was quick
Maybe not the shortest orchestral strike on record, but likely close to it: They entered the negotiating room in the Chicago Symphony Association’s lawyer’s office at 2 p.m. Monday, and by about 6:45 p.m. a tentative agreement had been reached in the Chicago Symphony Orchestra’s first musicians strike in 21 years. The orchestra announced shortly
Read More →Norman doesn’t get negotiations
It’s not surprising that Norman Lebrecht was right on top of the Chicago Symphony strike. It’s also not surprising that much of what he wrote missed the point or was simply wrong: Chicago is where the present inflationary cycle started when Henry Fogel, the former manager, caved in to a union demand for a $104,000
Read More →Technology in Music – The Wave of the Present
Ask any musician who is ten years older than you how business is, and he or she will probably say, “It’s okay, but it was much better ten years ago.” If that same person asks the identical question to another musician ten years older than he is, he will probably get the same answer. “It’s [...]
Read More →Being a Successful Entrepreneur— Envision the Future
When I was a doctoral student, I was in a class that had an assignment that asked us to think into the future twenty years and forecast what the music profession would look like. I wish I still had that paper. It would be fun to see how far off I was. Anyway, one student [...]
Read More →Being a Successful Entrepreneur— There Is No One Model for Entrepreneurs—Gain Experience First
If you have read my book, Lessons From a Street-Wise Professor, think back to Chapter 9: “Five Non-Linear Career Journeys.” These are stories of very successful entrepreneurial musicians. I chose to include them because they represent five different areas of the music business, but I had a secondary reason as well. They all have reached [...]
Read More →Being a Successful Entrepreneur — Don't Dilute Your Product in Order To Make Money
Some musicians feel that they must dumb-down their music in order to be “successful.” I once had a conversation with Maria Schneider in which she made an interesting observation: many musicians who are focused solely on making money underestimate their audiences. She commented that some musicians seem to think that if they write or present [...]
Read More →Invisible Musicians
At the end of this blog is a letter to the editor that was published in the December 13 Louisville Courier-Journal. In it the writer laments the absence of an orchestra at this year’s Nutcracker performance. The tone of her letter is typical of what I had read in the past when ballets have opted [...]
Read More →What Artists Can Learn from Steve Jobs
Today, as the world mourns the loss of visionary leader Steve Jobs—responsible for creating Apple, the Macintosh computer, iPhones, iPods, iPads, and Pixar Animation Studios—is an ideal opportunity to reflect and grow as individuals. This article o…
Read More →Building Your Portfolio Career Part 3: Doing the Math
This is part 3 on a series devoted to Portfolio Careers. Now it’s time to do the math and determine your Portfolio Career Plan (PCP). As you’ll see, this process is quite logical. All you need is a pencil, paper, calculator, and a little creativity.
Read More →Building Your Portfolio Career Part 2: The 21 Income Models
If you have money to invest, any financial advisor worthy of their corner office will suggest you diversify the portfolio. In other words, don’t put all your eggs in one basket. The same logic can be applied to multiple-stream careers. This post outl…
Read More →Building Your Portfolio Career Part 1: Imagining the Mix
Portfolio career is the term used to describe a professional path involving multiple streams of income. This profile is commonly adopted by artists of all stripes. I, for one, have developed a portfolio career, and wouldn’t have it any other way.
…
Someone is Stealing Your Stuff-Attitudes About Copyright are Morphing
If you’re an older person with copyrighted material you probably have a different view toward protecting and publishing your creative work than a younger person. Here’s an interesting blog from Andrew Taylor in Arts Journal that was posted on 6/7/11. It seems that times could be a changin’. On profits, proliferation, and piracy It’s a [...]
Read More →Guest Bloggers: Quartetutopia by Nicholas Kitchen
[Nick Kitchen is the founding first violinist of the Borromeo Quartet, ensemble in residence at NEC. In addition to receiving the Artist Diploma from NEC, the quartet has gone on to win the 2007 Avery Fisher Career Grant, Lincoln Center's … Continue reading →
Note to Conductors: Your Hand Motions Make No Sound
For the past month or so musicians in the orchestra world have been buzzing about Roberto Minczuk, the Music Director of the Brazilian Symphony Orchestra (Rio de Janeiro, Brazil). It seems, at his urging, the orchestra management has decided to re-audition every member of the orchestra. You can imagine the outrage that this decision has
Read More →Was it worth it?
There is a famous (although possibly apocryphal) story about Richard Nixon’s visit to China. Reportedly, Kissinger told Nixon that Chinese Prime Minister Zhou Enlai was a student of the French Revolution. So Nixon asked him, during their first informal meeting, what he thought the impact of the French Revolution on the course of history had
Read More →What Professional Orchestras Should Learn From YouTube
These days, when symphony orchestras make national news, the topic is usually not a happy one. Yet one group has received a very different kind of coverage: the YouTube Symphony Orchestra (YTSO). Culminating in a performance at Australia’s Sydney…
Read More →Time to end the Detroit strike
I am no longer working for the musicians’ union so I am just going to call it like I see it… It is time for the musicians of the DSO to make their best deal and go back to work. Sadly, we have seen this so many times – musicians using brute force to try
Read More →Twilight in Syracuse
The Syracuse Symphony is shutting down after musicians refused to accept $1.3 million in concessions: The decision will bring the 50th anniversary season of the orchestra to an unceremonious end. There were more than 20 Syracuse and regional concerts remaining in the 2010-11 season. The orchestra’s 18 full- and part-time staffers and 61 core and
Read More →Another deadline in Detroit
DSO management has apparently set yet another deadline: The musicians claimed management set an April 1 deadline for a deal or the summer season would be lost and the fall season would be jeopardized. They also said management was unwilling to meet at the bargaining table before the Friday deadline. The two sides have not
Read More →Arts Entrepreneurship — Policy Opportunity?
I don’t think anyone would argue that we’re in a period of policy transition in the arts and culture sector. I would even characterize it as the most significant period of policy reexamination since the 1960′s. The difference is huge, of co…
Read More →Questions? Answers.
Back in January, I posted a blog about Musical America’s exciting new partnership with Edna Landau – “Ask Edna.” Since starting her new blog, Edna has addressed some excellent career-related questions by young musicians, and she has provided some insightful guidance and ideas to consider. Recently, I figured I would throw a question into the
Read More →Community outreach – ideas for guidelines
It appears that a big reason that the Detroit Symphony potential settlement fell apart was a dispute over $2 million for community outreach. I am sure there is more to it than that but if there is still a spark of hope embedded in that concept it is worth taking a closer look. The term
Read More →Orchestras and the union movement
Milwaukee is not quite equidistant from Madison and Detroit, but it does sit precisely on the line between them that a crow (or a Boeing) would fly. So it’s fitting that events in Detroit and Madison resonate so loudly with this member of the Milwaukee Symphony – an orchestra in the Rust Belt that’s had
Read More →Make Friends – Your Peers Are Your Best Resource
Think about it. It’s only human nature to recommend a friend for a job. Putting aside the fact that if you recommend him or her, he or she may reciprocate one day, it just feels good to help out a friend, provided they are a good fit for the job. Even though music is a [...]
Read More →The worst is yet to come
If you think that the Detroit Symphony labor dispute has been hard to watch, steel yourselves because the worst is yet to come. If the parties can’t find their way to a settlement in very short order, it will be even harder to watch the orchestra disintegrate. The recent “farewell” posting by the entire DSO
Read More →Don't try this at home
We’re having an interesting couple of weeks here in Wisconsin, as has been reported not only by the usual suspects but by the BBC and Al-Jazeera as well. Here was my favorite sign from my visit to Madison on Saturday: Today appeared a life lesson in the form of some frank talk by our Governor
Read More →WTF was that all about?
That’s also the punch line to a very funny story David Sedaris tells about a slug going door-to-door selling magazine subscriptions, but I digress. Sunday’s story in the Detroit News gave the distinct impression that the DSO management was prepared to: …move forward with a newly assembled group of players that would include only those
Read More →Let The Other Guy Talk First
Writing projects (read: compositions and arrangements) are always up for negotiation. What I always try to do is let the person hiring me talk first. After we have discussed what is involved, I quickly calculate how much time it will take to complete it. I get a price in my head that I think is [...]
Read More →A substitute orchestra in Detroit?
In a front-page article in the Detroit News, Michael H. Hodges is pessimistic about the future of the DSO: …outsiders warn that suspending the season involves a leap into the unknown, one that not only threatens the orchestra’s current hold on audiences and donors, but could put the 2011-2012 season and the orchestra’s entire future
Read More →A suspension bridge to nowhere good
The future of the Detroit Symphony may well ride on the DSO board’s definition of the word “suspend“: The crisis surrounding the Detroit Symphony Orchestra strike hit a new peak Saturday, increasing the possibility that the financially crippled orchestra may not play a single note of music this season. The musicians rejected management’s final contract
Read More →No settlement in Detroit
There’s a management offer on the table, and a management-dictated deadline to accept it or the else, but there’s no agreement between the negotiating teams: Detroit Symphony Orchestra management made what it calls a final offer to musicians tonight, requesting an up-or-down vote on the contract proposal by 5 p.m. Thursday. The move — which
Read More →Make the Client Feel Good
This short phrase, “Make the client feel good,” is one of the most important things to remember in business. Often when doing recording sessions for television and radio commercials (read: jingles) the “com- poser” may be a person of little of no musical knowledge. He may not even read music or be able to put [...]
Read More →Detroit inches closer to edge of cliff
This is not the end, but it doesn’t inspire a lot of hope either: The musicians of the Detroit Symphony Orchestra have rejected management’s latest contract offer, setting up a showdown that could lead to the cancellation of the rest of the 2010-11 season by the end of the week. With nearly 50% of the
Read More →American exceptionalism
I’ll admit to finding the Right’s fixation on the concept of American exceptionalism quite disturbing. But there is no other country in the world in which the article below could appear in a union publication. There’s likely no other city in the world in which it could appear either, of course – but, as the
Read More →It's the silly season
It’s nice to know that the management of the Louisville Orchestra think that something about the orchestra is valuable. Too bad it’s the name and not the musicians: In a sign of how far apart the two sides remain, an attorney for Louisville Orchestra Inc. has threatened legal action if its musicians continue to operate
Read More →Have Your Price in Mind
You should have a price in mind for the particular service that is under discussion. Different types of gigs will have different pay rates that are either set by the musicians’ union or are the going rates of the area. Many jobs pay scale and that’s it. A traveling Broadway show or an opera put [...]
Read More →Do Your Own Thing, Then Figure Out How To Get Paid For It
I once was invited to be part of a panel discussion at the International Trombone Association’s annual convention. The subject was orchestra opportunities for trombonists. When I arrived at the venue, I looked at the sessions and concerts that had gone on in previous days, and I saw that a sackbut quartet had given a [...]
Read More →What a good idea
Tom Service, who blogs for the Guardian (UK), reports on a really good idea from the Royal Philharmonic Society and the Association for British Orchestras: The annual Salomon prize is for orchestral players – or, rather, for a single orchestral player in a UK-based professional ensemble who in the eyes and ears of their fellow
Read More →Conductors say the darndest things
There’s been a certain amount of piling-on in response to comments that conductor James Gaffigan made on his blog a few weeks ago (h/t to Adaptistration and oboeinsight). After providing us with some details of his recent guest conducting, and news of his new apartment in Lucerne, he proceeds to some rather unfortunate remarks inspired
Read More →Music medicine can be fun!
… although one might need a slightly twisted view of things to find it so. An article in the September 2010 edition of Medical Problems of Performing Musicians shows us how: …in 1935, trumpeter Louis Armstrong hurt his lips from too much playing and had to lay down his horn for a year. His condition
Read More →Social media and musician activism
This story didn’t show up on the usual arts blogging sites, but it might well have been the most important news for our field in a while: In what labor officials and lawyers view as a ground-breaking case involving workers and social media, the National Labor Relations Board has accused a company of illegally firing
Read More →New sheriff in town
One of the scariest rituals of orchestra life is the arrival of a new Chief Executive Officer. A new Music Director can be very unsettling for the members of the orchesra, of course – it’s the Music Director who has the power of economic life and death over individual musicians, and obviously no other person
Read More →Are auditions fair?
Peter Dobrin, in an article for the Philadelphia Inquirer on the possible departure of Philly clarinetist Ricardo Morales for the New York Phil, is skeptical: Lurking in the background is the hypocrisy that has long run through orchestral personnel decisions. Both players and management have held that talent is the sole criterion for determining who
Read More →Why don't orchestras promote from within?
Over the course of more years than I care to remember I’ve heard lots and lots of auditions. But it was brought home to me again the other day, at another audition, that I’ve only ever heard one audition that resulted in a section musician winning a permanent titled position in their own orchestra. It
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