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Category: Musicians Today

Millennial America

2 Peter Sachon

Orchestras need to offer compelling reasons for millennials to make live symphonic music a part of their lives.  After all, millennials are the largest generation in human history, and at nearly 90 million people they will very soon make up the vast majority of our orchestras’ stakeholders, constituents, audience, staff members and supporters – and

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Us as a sitcom

0 Robert Levine

Most readers of this blog will remember the furor over Mozart in the Jungle, oboist and journalist Blair Tindall’s memoir of her days as a New York freelancer. I quite enjoyed it, but some didn’t (especially those who believed that they were featured in the story in an uncomplimentary way) I went onto the Amazon

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Alias: A New Kind of Ensemble

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In 2007 we posted an article entitled, Alias: A New Kind of Ensemble.  Looking back with 20/20 hindsight it can easily seen that Alias was, and still is, part of a trend—a movement among musicians to form “alternative ensembles.” In an effort to understand more about this trend, the Eastman School of Music recently inaugurated

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Bringing Down the Sky: From Great to Good in Minnesota

3 Michael Manley

I. The Tornado and the Plow Horse I recently plugged the words “Salieri” and “Festival” into Google, which limped back with a meager Salieri Opera Festival of 2010, presented by Fondazione Fioroni in Verona, Italy. Curious, I added “2013” to the search, and Google came back with only three results, none of which led to

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Working Together: Orchestra Musicians, Boards and Management

3 Bill Cahn

The Wall Street Journal for Friday, June 7, 2013 carries an article in the “D” Section, “After Orchestras Strike: A Tale of Two Cities” by Terry Teachout. The article compares the ways in which two orchestras – The Minnesota Orchestra and the Detroit Symphony – are dealing with their financial problems.   In Minnesota there is

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What Were They Thinking?

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What Were They Thinking? For most music students the transition to the professional world does not usually happen abruptly. A switch is not thrown and voila, you’re a pro. The normal course of events involves a period of time when some gigs are well paid , some not-so-well and some not-at-all. It’s these not-so-well and

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The Riot Stuff

0 Peter Sachon

  Orchestras should raise their voices to be heard amid the din of noisy modern culture and promote themselves as socially conscious public institutions. They need to embrace a more inclusive posture in society, and demonstrate an identity more nuanced than silent anonymous conservative tuxedo-clad white male.  While the price of participating in American culture

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What Professional Orchestras Should Learn From YouTube

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These days, when symphony orchestras make national news, the topic is usually not a happy one.  Yet one group has received a very different kind of coverage: the YouTube Symphony Orchestra (YTSO).  Culminating in a performance at Australia’s Sydney…

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