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Category: History

Improving the Orchestra’s Revenue Position: Practical Tactics and General Strategies

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My Editor’s Choice for this go-round is from 1997—sixteen years ago. Here’s a little background just to put it in context. Our website, Polyphonic.org is part of the Orchestra Musician Forum, that was created in 2004 when Paul R. Judy made a gift of the financial and intellectual assets of the Symphony Orchestra Institute to

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Orchestras and the union movement

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Milwaukee is not quite equidistant from Madison and Detroit, but it does sit precisely on the line between them that a crow (or a Boeing) would fly. So it’s fitting that events in Detroit and Madison resonate so loudly with this member of the Milwaukee Symphony – an orchestra in the Rust Belt that’s had

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A substitute orchestra in Detroit?

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In a front-page article in the Detroit News, Michael H. Hodges is pessimistic about the future of the DSO: …outsiders warn that suspending the season involves a leap into the unknown, one that not only threatens the orchestra’s current hold on audiences and donors, but could put the 2011-2012 season and the orchestra’s entire future

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Are we figments of Mahler's imagination?

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Norman thinks that Mahler invented the American symphony orchestra. He makes a good case: Mahler split the Carnegie season into four subscription blocs, each with a thematic base, something no conductor had tried before. As well as a Regular Series, he put in a Beethoven cycle “for the education of lovers of classical music, for

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